Yesterday morning I listened to Mariah Carey’s 43 Best Songs playlist on Spotify. I’ve always been big on classic, pop-ballad Mariah. You know, the artist her first husband, Tommy Mottola wanted her to be. I’ll admit that is kind of selfish on my part since she has always been influenced by hip hop artists. But as I listened past those songs she created in the early years of the 2000s decade, I (re)realized something. No, Mariah’s voice isn’t up to the same par it used to be when she released “Vision of Love” in 1990. It’s not even at “Hero” level. But she’s found away to utilize her voice in other ways. Integrating rap/urban/club (read: black) elements in her music means she gets to be a vocal actress. Breathy vocals and rap-sung verses do her favors on the non-single “Migrate” from 2008’s “E=MC²”.
Looking back though her discography, it’s easy to see that Carey has always tried to tread the line between maintaining a pop audience but still being authentic to herself and the kinds of tunes she wants to reflect her. Rap mixes pepper her collection. Fused with club songs are the revamped style of ballads she’s adopted within the past decade or so. Continue reading